The image above is the finalised preliminary design for the mock-up of our digipack.
Here, I was continuing my earlier ideas. I wanted to continue playing on ideas of postmodernism and the cult of youth, as these are popular within the indie genre and frequent within our research. By not showing their faces, the band are present but absent, a key idea in a theory by Goodwin. However, I also wanted it to be polysemic of a satirical 'advert vs art' example of postmodern media. By using the brick-work aesthetics, I was trying to encourage the urban, British appearance reminiscent of bands we have researched (taking inspiration from Pink Floyds famed album cover, in a postmodern fashion of homaging). The indexical signs of my digipack all relate to British culture, rebellion, and the cult of youth. To further the ideas explored here, the colouring of the images will have to be considered carefully. I very much hope Rosie and Josh feel this digipack is appropriate.
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ReplyDeleteI love it - I think it is very much appropriate. I particularly like the front cover with the use of the black strip over the eyes and the sign saying 'technodanceaphobic'. These aesthetics definitely add to the urban/youth appeal, boding well with the genre of the band and their music. I like the idea of our digipak being post modern in a polysemic way; referring to the 'advert vs art' effect of the digipak. I think this is one of the best ways to draw in the attention of the audience as well as the British/urban look having a verisimilitude effect, because the realistic approach attracts the reader. Good job Casey.
ReplyDeleteIf our digipack is being used to sell a single, then I feel that the track listings should feature a B-side, or possible a remix. I've looked into The Enemy's previous album releases and have see that they also like to cover songs by other artists' mainly from the 80's.
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